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Copyright infringement case Learning Copyright Law through Copyright Infringement Cases Copyright infringement cases can be both costly and time consuming. Considering copyright infringement is something that isn’t as easily defined as theft or speeding, there are numerous copyright infringement cases that are changing the way copyright law is viewed in the United States of America. By reviewing a few of these copyright infringement cases, you’ll be able to get a better idea of what is, and is not, acceptable use of copyrighted works. As a forward, however, you’ll need to know a little bit about copyright law. Most copyright lawsuits are brought to the courts because a copyright owner has found their copyright is being used outside the copyright laws. This usually means that the copyright holder hadn’t been asked for permission to use the work, or if they had, that the work is not being used in an agreed-upon context or they have not been paid royalties. The copyright infringement cases, listed below, give a sampling of what goes to the Supreme Court in copyright infringement. Feist Publications v. Rural Telephone Service Co (6th Cir. 1996) This copyright infringement case was brought upon the Supreme Court in 1996 regarding the copyright of a database. The supreme court, in this instance, decided that compilations of data (such as in a database) are only protected by copyright when they are “arranged and selected in an original manner.” Although the level of originality needed to make the database copyright-able is not very high, the pages of a directory such as a phone book are not protect-able because the data contained therein is arranged geographically, then alphabetically. Because of this, the data was not original enough to warrant a copyright infringement charge, and the competing telephone company was allowed to tap into their competitors’ database and use that data in their own work without liability. Princeton University Press v. Michigan Document Services, Inc (6th Cir 1996) This case has to do with the ‘fair use’ law, which is defined in the Copyright Act of 1976, 17 U.S.C. § 107. In this case, a photocopying service was sued for copyright infringement for making ‘course packs’ for the University of Michigan. In this case, a course pack was a group of reading materials assigned by a professor – then the course pack was bound together by a professional copy shop. In the fair use system, there is a system available for payment of copyright fees to publishers whose works are used in course materials, the printing shop owner refused to pay the copyright cost. When it went to the Supreme Court, they analyzed the fair use code and found that it was NOT fair use, and the printing shop had to pay the copyright costs. As you can see, copyright infringement cases are cases in which someone violates the rights of a copyright owner, as provided by 17 USC §106, or of the author as provided in §106A. These copyright infringement cases can be taken to either criminal or civil court, and can carry with it a hefty fine. Copyright infringement cases are brought upon people who violate copyrights every day. In recent times, you’ll find many copyright cases in relation to electronic copyrights – such as those you’d find on a website or PDF file, as well as other digital media such as music and audio files. It’s probable that you’ve seen copyright cases brought against the common person – such as a child or family – for downloading digital music in the form of MP3s. In the current internet age we’re in, it’s not surprising to see so many music and video copyright cases brought to us because of peer to peer file sharing made possible by the internet. You can be certain that until people know the rules of copyright, and downloading copyrighted material from the internet that we’ll see many more copyright cases.

Copyright music lyrics To Copyright Music Lyrics is to Protect the Wealth of your Future Whether you copyright music lyrics or the notes to a song you have a certain amount of ownership in the song. This is one of the many instances where the copyright affects more than one person and results in being valid until the last remaining person on the project (of course you must be identified in the copyright in order for this to affect you) have been deceased for at least 70 years. The easiest route for musicians is not just to write the notes but also to copyright music lyrics at the same time. This is much better for everyone involved and there is only one registration fee rather than creating a need to register the music and the lyrics as separate entities. For those who are new to the entire process of registering copyrights, owning copyrights and wondering exactly what happens now that you've registered it can seem like either an extremely complicated or confusing process. Many new artists fail to properly protect themselves and their non copyright music lyrics from those who would take advantage of them. If you are hoping to copyright lyrics that you've written for a song, I strongly recommend copyrighting music lyrics and registering them before introducing the lyrics to the music of the song unless you wrote both the lyrics and the music. Doing all of it together is often more difficult, particularly for those who feel more talented or gifted in one area than another but it really does help keep everything together and straight over the long haul. It's also great practice to write your own music rather than focusing only on the righting of words. After all, you had something in mind when you wrote the lyrics (a tune, a melody, something) and only you can truly give the unfinished artwork the justice it deserves. So many people forget how similar creating music is to creating visual art. Both require dedication, visions, purpose, and passion. They require different skills but very similar emotions and qualities in order to do well. Once you've begun to copyright music lyrics there really is no major difference between moving on to the next task, which is actually writing and copyrighting the music to go with those wonderful lyrics. If you're not a great music writer, then it is probably preferable that you find someone who is to work on this project with you. Perhaps your next copyright music lyrics session will lead to some wonderful collaborations and joint ventures. Many times in music the hardest part of any big break is in finding the right partner with whom to work towards your common goals. Most bans fail because they either never shared a common goal or someone in the band changed the goal without consulting anyone else. The vast majority of marriages break up over very similar claims. Perhaps the cruelest point of all to make is that not everyone who can copyright music lyrics will be completely honest about the source of the lyrics or the period of their lives while leading up to that point. The sad news is that we live in a world that isn't going to easily take someone's word that they created those lyrics, particularly if someone else already has a copyright on those very same lyrics. If you aren't the ones writing the lyrics, or the music for that matter be careful that you don't end up trying to pass of copyright music lyrics or notes that aren't your own creation, this could definitely lead to more harm than good in time. More than anything else is extremely dishonest and unbecoming of a musician.

Handling Age Difference in the Workplace for a Positive Experience People are entering the workforce younger and getting out of it later in life, according to business experts. This fact means one thing: that the age gap in some offices is getting larger, and it could be getting more difficult to manage. Age differences in the workplace don’t have to be a cause for arguments and conflict, however. Having people of different ages working together can actually be a positive experience for everyone involved, both professionally and personally. How the age difference question plays out in your office all comes down to how you handle it. Age differences have always been an issue in the workplace. A generational gap between the old guard and the up and comers has always been unavoidable, but people knew how to manage it in a world where people got one job when they were started out in the working world and stayed with that company throughout their careers. However, those days are gone for good. People tend to bounce from job to job, out of choice or out of necessity, and so that means many workers have to adjust to age differences in the office place while adjusting to new jobs, period. Even this sense of bouncing around to different jobs can inflame the age difference issue. Older people may not relate to the younger generation’s ways of moving from job to job and drive to find a career that not only makes them money but that they also love. This culture class can cause misunderstandings and tension in the workplace. What is happening more often with the changing work market is that many younger people are finding themselves in the position of managing older people. Because younger people tend to change jobs more, and because they grew up in the computer generation, they often have more qualifications than older workers. This can cause tension on both sides. Older workers can feel under appreciated and passed over for a job that should have been theirs because of seniority, and younger bosses may feel funny about telling older employees what to do, and correcting them when they make a mistake, because they are supposed to respect their elders. Is there any way to avoid these conflicts at work so that age doesn’t become an issue? The first way to make sure age isn’t an issue is to simply decide that it isn’t one. If you have younger boss, keep in mind that they were hired for a reason, and be open to the things you can learn from them. If you are in charge of managing an older team, don’t go easy on them because of their age. They won’t respect you for it, and you will only be emphasizing the difference between you. Instead, treat them as you would any other employee, while making personal allowances for some resistance to chance on their part. A certain amount of “in my day” kind of talk is inevitable. Accept it and take it on board – you might even learn something – but have confidence in enforcing the decisions you make at the same time. The other best way to manage age differences in the office place is to always keep the lines of communication open. If you are a younger manager in charge of an older team, make an active effort to solicit their opinions and to be available to them when a problem arises for them. If you are an older person in the office wondering about how to relate to the younger workers, ask questions. A glimpse into their world may do wonders for your ability to understand and relate to them. Not only will you become more effective co-worker, you might even end up being friends.